Books from the Archive of Modern Conflict


Archive of Modern Conflict is an award-winning independent publisher based in London, UK. Our books on photography and art have been shortlisted for several international prizes including the Rencontre d'Arles Historical Book Prize in 2008 and 2009 and the New York Photo Fair Awards in 2008. Please click on the individual book cover images below for more information about each book and to purchase from our online bookshop.

Read what others say about AMC publications:
5b4 photography/books blog on Nein, Onkel
Nein, Onkel in Martin Parr's best books 2007
Galerie 2600 blog on The Corinthians
One Way Street blog on The Corinthians
The Corinthians in The Guardian newspaper
5b4 blog on Scrapbook and other AMC books

Our latest book

Roger Hilton – Night Letters, edited by Timothy Bond, is now available here. The book reproduces nearly 300 of Roger Hilton's Night Letters and Late Gouaches, and includes many drawings and gouaches not previously seen in public. Its publication was marked with an exhibition at Kettle's Yard Gallery, Cambridge, entitled Roger Hilton: Late works and the Night Letters, which ran until 10 January 2010 and was reviewed by the Financial Times on 1 December 2009. Read the FT review here

In pictures:
The Archive of Modern Conflict at Jihlava International Documentary Film Festival
The opening of the exhibition Roger Hilton: Late Works and the Night Letters at Kettle's Yard Gallery, Cambridge

Read our Archive of Modern Conflict blog

Archive of Modern Conflict Roger Hilton Night Letters Archive of Modern Conflict The Corinthians Archive of Modern Conflict Nein Onkel Stephen Gill Archaeology in Reverse Anonymous Origami by Stephen Gill
Archive of Modern Conflict Don't Smile Thijs groot Wassink In the Wake of Katrina by Larry Towell A Series of Disappointments by Stephen Gill The Power Book by Jacqueline Hassink Stephen Gill Hackney Wick
British Landscape by John Davies Archive of Modern Conflict Happy Tonite No Man's Land by Larry Towell Hackney Flowers by Stephen Gill


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